The title Love and Death suggests that these will be the potent twin themes of a new biographical and art historical approach. But the result, I’m afraid, is reverent and terribly dull and doesn’t ...
EDITOR’S NOTE: In the following exchange, Paul D'Agostino, David Boffa, and Thomas Micchelli provide separate critical takes on Andrei Konchalovsky's new biopic of Michelangelo, exploring its ...
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