WILLIAMSTOWN — “Hue & Cry: French Printmaking and the Debate Over Colors,” an expansive new exhibition at the Clark Art Institute, has a teacherly tone and a sumptuous payoff. I wondered, walking ...

WILLIAMSTOWN — The vibrantly colored advertising posters of Jules Chéret and Henri de Toulouse-Lautrec are synonymous with Paris' Belle Epoque period, but those beloved, iconic prints may never have ...

From arabesques to grotesques and from sphinxes to snails, French printmakers combined ancient decorative motifs with newly invented ones to create designs for everything from jewelry to architectural ...

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The French printmaking studio Atelier Mourlot was the birthplace of the fine art lithograph, and a new exhibition at the New Gallery of Modern Art offers a number of outstanding examples. Contrary to ...

It seems that we’re still obsessed with the divide between the Orient and the Occident—a divide created by centuries of people on both sides of the globe who made claims about differences in art, ...

Black ink, white paper. That was the essence of most fine art printing—engraving, etching, lithography—up to the 1890s. Prints reveled in the unique nuances and textures possible in that simple, ...

Editions d'Art du Lion, Paris, pub. Lot of three color hand pulled lithographs by important 20th Century Masters: Andre Derain, Raoul Dufy, and Maurice Vlaminck. From the "Douze Contemporains" ...

“We believe that the ability to see and appreciate art is fundamental to enhancing and understanding the human experience, Olivier Meslay, Hardymon director of the Clark, said in a release. “As a ...

Editions d'Art du Lion, Paris, pub. Lot of three color hand pulled lithographs by important 20th Century Masters: André Derain, Maurice Vlaminck, and Raoul Dufy. From the "Douze Contemporains" ...