Everything about Dante and Vergil is at odds. Dante is loose, wielding guns and a broadsword. It’s all very improvisational. There’s no sense of training. Meanwhile, Vergil is the epitome of ...
It’s possibly due to the tragedy of Covid, but the sombre elements of Deirdre Kinahan’s Hue and Cry are much more to the fore in its newest incarnation. Originally seen in 2006, and given a new ...
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