A newly composed concerto for orchestra and tap dancer showcases the beauty of tap, which is enjoying a bit of a revival. Composer Rob Kapilow wrote the part of the dancer like a drum solo, without ...
Oh, but this book is fun. Brian Seibert’s meticulously researched, breezily written history of tap dance, “What the Eye Hears,” shuffles and slides and Shim Shams across the page irresistibly; when ...
Performances in N.Y.C. Advertisement Supported by Tap festivals have been pivotal in passing on tradition. But New York’s has been canceled and the institution that supports it faces an uncertain ...
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