Although Neat Rodanant’s graphic design work has spanned a number of mediums, she keeps finding herself coming back to books. A way to play with type and image in 3D form, the designer’s work on her ...

The Paris-based photographer has made a visual world that weaves together themes of identity, intimacy and femininity.

The soft smudges and spiky lines of the artist’s illustrated worlds carve out a space for us to grasp at larger ideas about living and sharing.

For the past ten years Felipe Hernández Duràn has been collecting napkins from bars and tables across Spain. His new book shows how meals are memorialised in these small graphic moments.

With a new report, a full-page handwritten letter in The New York Times and time-saving product Canvas, Air is planting the flag: that “AI won’t replace creative work.” ...

This illustrator’s art works look like they’re from a fanzine in an alternate reality for a nightclub filled with sound system androids and freaky figures.

The National Institute of Architecture’s folkloric floor tiling influenced the strict grid and mosaic-like logo that underpin this visual identity.

This illustrator borrows from the tried-and-true symbology of fantasy, but imbues subjects such as dragons and Tim Burton-esque creatures with detailed penmanship and sensitivity.

The foundry’s first OOH print campaign is a hay fever dream that stretches across streetside billboards and fold out posters – it even includes some variable font karaoke.

This artist’s inventive and intriguing collages merge the rawness of photography with the digital sheen of artificial paint and sticker-esque overlays, capturing the unseen between awake and asleep.

Designed by Luke Powell and Jody Hudson-Powell, the intro riffs on James Bond iconography while threading in nods to British and Pakistani culture.