In our latest Anatomy of a Dance feature on George Balanchine's Episodes, Principal Dancer Unity Phelan lets us in on the secrets of this unique ballet's score and explains why taking cues from the conductor is crucial to staying in sync with your partner. Catch Episodes this fall on the All Balanchine II program, opening September 17: nycballet.com/allbalanchine2 | New York City Ballet
In our latest Anatomy of a Dance feature on George Balanchine's E…
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62K views · 1.9K reactions | Flash Footage: A glimpse of the Sugarplum Fairy and Her Cavalier's photo finish during the beloved Grand Pas de Deux. There's still time to reserve tickets for the final week of George Balanchine's The Nutcracker®, best availability December 30 —January 3: nycballet.com/ntcracker Featuring Principal Dancers Emma Von Enck and Roman Mejia | New York City Ballet | Facebook
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2.1K views · 5.2K reactions | Hopeless romantic, pure classicist, intellectual modernist — find out how George Balanchine's many different sides come across in his extraordinary body of work, and how he established the first truly American ballet company. | New York City Ballet | Facebook
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38K views · 885 reactions | "For this score is one I admire most in the world."—George Balanchine Whether you missed it this past winter, or you share the same admiration as Balanchine himself, Divertimento No. 15 returns this spring on the All Balanchine II program. Reserve tickets while they last: nycballet.com/balanchine2spring Featuring Principal Dancers Chun Wai Chan and Megan Fairchild | New York City Ballet | Facebook
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48K views · 1.1K reactions | The first ballet Balanchine made in...
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48K views · 1.1K reactions | The first ballet Balanchine made in...
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Winter Replay: Intricate and complex formations of dancers fill the stage in George Balanchine's iconic leotard ballet, Symphony in Three Movements. | New York City Ballet
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Winter Replay: Intricate and complex formations of dancers fil…
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23K views · 669 reactions | Fall Replay: Principal Dancers Adrian Danchig-Waring and Mira Nadon interpreting roles originated by Jacques D'Amboise and Suzanne Farrell in George Balanchine's Movements for Piano and Orchestra. Performed in tandem with Balanchine's Monumentum pro Gesualdo since 1966, these two distinctive ballets showcase classic Balanchine and Stravinsky collaboration in its finest. | New York City Ballet | Facebook
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23K views · 669 reactions | Fall Replay: Principal Dancers Adrian …
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13K views · 193 reactions | Flash Footage: Principal Dancer Daniel …
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